This opportunity is now closed.

Funded PhD Opportunity

Surfaces, places, messages: constructing place and identity through urban mark-making

Subject: Art and Design: History, Practice and Theory


Summary

The materiality, variety and diversity of often unregulated traces and marks in the urban environment characterise the behaviour, expectations and conversations of societal groups, representing underpinning ideologies of place and identity. Urban artefacts may evoke the totality of a culture, expressing meaning beyond the object itself through relays of codes in the present, or referential indexing to the past. Cultural shifts and developments impact the way in which meaning is represented on urban forms.

Prior to broad-scale manifestation of the written word as an expression of language on modern signs, image-based artefacts embodied representational meaning. Visual artefacts alone bore the responsibility of indicating qualities, affordances, concerns and/or narratives of place. While these have now largely given way to written means of mark-making, primitive interpretative marks, often painted, placed, or carved onto urban surfaces, continue to be a source of value and curiosity. Visual grammar remains a valid means of representation and an effective signifier of underlying culture and place, despite, or perhaps due to, relatively informal rules for interpretation.

As urban environments are ever-evolving products of many makers, excavation of surface layers of meaning may also expose past practices, lives and evidence of industry and (sub-)culture. The discipline of archaeology increasingly deploys creative approaches to understand and record the rapid material flux associated with the recent or contemporary past.  Archaeological excavation of a surface or artefact may reveal a palimpsest, referencing previous conversations of place and identity, representative of wider cultural assumptions or priorities.

The visual language and layers of meaning on urban surfaces or artefacts may stimulate the senses and curiosity of the interpreter of meaning, or may encourage subversive, accumulative or aberrant interpretations and interventions. While some of these marks are relatively self-explanatory, others remain ambiguous, existing outside of mainstream cultural systems. Such marks ‘haunt’ certain locales, exerting a ‘seething presence’ through which we can sense the agency of those who are no longer there. Although often unsanctioned, these marks can confer a degree of social aliveness to a place or, indeed, a ‘non-place’. This is particularly true of Belfast, with its high density of walls offering ample opportunity for mark-making and site-specific expressions of identity.

This project will combine a study of urban culture and artefacts with the establishment of practice-based outcomes, as an expression of narratives, concerns, conversations and ideologies of place and identity. It will attempt to better understand the phenomenon of urban mark-making by cataloguing and establishing a typology of marks through systematic recording. It will also consider what role these practices play in place-making and the assertion of identities in Belfast and beyond, investigating to what extent there are commonalities across time and space.

This project will make an original contribution to knowledge by recording and raising awareness of these often over-looked and ephemeral forms of expression.

A range of practice-based outputs may include reinterpretation through a combination of graphic design practices, printmaking and exploration of the ceramic surface, resulting in new artefacts of material culture.


Essential criteria

  • To hold, or expect to achieve by 15 August, an Upper Second Class Honours (2:1) Degree or equivalent from a UK institution (or overseas award deemed to be equivalent via UK NARIC) in a related or cognate field.
  • Sound understanding of subject area as evidenced by a comprehensive research proposal
  • A comprehensive and articulate personal statement

Desirable Criteria

If the University receives a large number of applicants for the project, the following desirable criteria may be applied to shortlist applicants for interview.

  • Completion of Masters at a level equivalent to commendation or distinction at Ulster
  • Practice-based research experience and/or dissemination
  • Experience using research methods or other approaches relevant to the subject domain
  • Work experience relevant to the proposed project

Funding

    The University offers the following awards to support PhD study and applications are invited from UK, EU and overseas for the following levels of support:

    Vice Chancellors Research Studentship (VCRS)

    Full award (full-time PhD fees + DfE level of maintenance grant + RTSG for 3 years).

    This scholarship will cover full-time PhD tuition fees and provide the recipient with £15,000 maintenance grant per annum for three years (subject to satisfactory academic performance). This scholarship also comes with £900 per annum for three years as a research training support grant (RTSG) allocation to help support the PhD researcher.

    Vice-Chancellor’s Research Bursary (VCRB)

    Part award (full-time PhD fees + 50% DfE level of maintenance grant + RTSG for 3 years).

    This scholarship will cover full-time PhD tuition fees and provide the recipient with £7,500 maintenance grant per annum for three years (subject to satisfactory academic performance). This scholarship also comes with £900 per annum for three years as a research training support grant (RTSG) allocation to help support the PhD researcher.

    Vice-Chancellor’s Research Fees Bursary (VCRFB)

    Fees only award (PhD fees + RTSG for 3 years).

    This scholarship will cover full-time PhD tuition fees for three years (subject to satisfactory academic performance). This scholarship also comes with £900 per annum for three years as a research training support grant (RTSG) allocation to help support the PhD researcher.

    Department for the Economy (DFE)

    The scholarship will cover tuition fees at the Home rate and a maintenance allowance of £ 15,009 per annum for three years. EU applicants will only be eligible for the fee’s component of the studentship (no maintenance award is provided). For Non-EU nationals the candidate must be "settled" in the UK. This scholarship also comes with £900 per annum for three years as a research training support grant (RTSG) allocation to help support the PhD researcher.

    Due consideration should be given to financing your studies; for further information on cost of living etc. please refer to: www.ulster.ac.uk/doctoralcollege/postgraduate-research/fees-and-funding/financing-your-studies


Other information


The Doctoral College at Ulster University


Reviews

Profile picture of Jacqueline Wylie

The PhD training programme and regular supervision contacts have provided the direction and support necessary to ensure that I deliver a quality thesis in a timely manner.I have thoroughly enjoyed the experience of working at Ulster University and feel it has put me in a better position to sustain a full time career as an artist and academic in the years to come.

Jacqueline Wylie


Key dates

Submission deadline
Monday 18 February 2019

Interview Date
18 to 22 and 25 to 28 March 2019


Applying

Apply Online  


Campus

Belfast campus

Belfast campus
At the centre of the civic evolution in Belfast


Contact supervisor

Dr Joseph McBrinn


Other supervisors

Related Funded Opportunities

Ireland; States of Photography

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Creativity and Art through a Bohmian Perspective

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Ritualistic Expression: Performance Art & Life

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Designing Sustainable Futures: the design of practical solutions for application in industry, commerce, and society

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

The Small Meeting Hall in Ireland: Researching Gathering Places for Worship, Politics, and Culture

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Typography as Identity in Ireland: The Role of Typography and Lettering in Defining Places and Cultures

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Design in Industry: Opportunities and Constraints of Contemporary Design Practice

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Performance Art in Northern Ireland

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Facadism: the social, commercial, and political veneer of buildings in permanent and semi-permanent structures

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Measuring the User Experience and Usability of Medical Devices

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

​Beckett and Contemporary Art: An investigation of the influence of Samuel Beckett’s work upon contemporary fine art practice

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory|English Language and Literature

 View details

Art and Design

Subject: Art and Design: History, Practice and Theory

 View details

New Pages, New Personal Narratives – Shifts in Sites and Strategies for the Photographic Album

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

A Design History of the Textile Printing Industry in Ulster

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Designing the Anthropocene: Ceramics as an archaeology of the contemporary past

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Clay and wellbeing: developing a model of practice for clay work in art therapy and museum engagement

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory

 View details

Art Engaging the Geographical Context, Evidence and Impacts of Climate Change: The role of experimental art in engaging with and communicating these urgent issues to the wider public

Closing date:
Friday 7 February 2020
Subject: Art and Design: History, Practice and Theory|Geography, Environmental Studies and Archaeology

 View details