Elsewhere on Ulster
This project is funded by:
This PhD will ask the researcher to test artist and activist methods for working contextually through provocative embodied strategies in response to difficult histories and realities across the Island.
As part of the North South research partnership with NCAD, Ulster University will support this researcher in the development of a practice-based PhD that considers the value of humour and satire in activist art seeking redress or remedy.
Through community partners via the MAC Belfast's 'Mactivate' project, additional existing collections and archives might aid as a resource for alternative histories.
Greater inquiry is required around the role of embodied resistance as outlined in the strategies of 'Cheeky Witnessing' (Fletcher, 2020) developed within abortion campaigns in both the North and South of Ireland and seen also in the campaigns for marriage equality.
We are inviting a PhD researcher to explore the witty provocations, complex subjectivities and embodied nature of performance, protest and collaborative formations of social resistance in Ireland.
Their work may focus on specific creative strategies and thematics or take a broader perspective across a spectrum of practices and focus points.
Key expectations would include (but are not limited to) the following:
Recognition of art activism as a tool to disarm in the face of injustice will form a research focus and would be a valuable lens for practice-based research.
Experience of art practice in forms such as photography, performance, sculpture will all be considered, depending upon their socially engaged focus.
Applicants should hold, or expect to obtain, a First or Upper Second Class Honours Degree in a subject relevant to the proposed area of study.
We may also consider applications from those who hold equivalent qualifications, for example, a Lower Second Class Honours Degree plus a Master’s Degree with Distinction.
In exceptional circumstances, the University may consider a portfolio of evidence from applicants who have appropriate professional experience which is equivalent to the learning outcomes of an Honours degree in lieu of academic qualifications.
If the University receives a large number of applicants for the project, the following desirable criteria may be applied to shortlist applicants for interview.
The University is an equal opportunities employer and welcomes applicants from all sections of the community, particularly from those with disabilities.
Appointment will be made on merit.
This project is funded by:
This scholarship will cover tuition fees and provide a maintenance allowance of £21,403 per annum (with a 3% annual increase) for three years (subject to satisfactory academic performance). An additional limited travel budget is available.
To be eligible for these scholarships, applicants must meet the following criteria:
Applicants should also meet the residency criteria which requires that they have lived in the EEA, Switzerland, the UK or Gibraltar for at least the three years preceding the start date of the research degree programme.
Applicants who already hold a doctoral degree or who have been registered on a programme of research leading to the award of a doctoral degree on a full-time basis for more than one year (or part-time equivalent) are NOT eligible to apply for an award.
Due consideration should be given to financing your studies.
Azoulay, Ariella Aïsha, et al. Collaboration: A Potential History of Photography. United Kingdom, Thames & Hudson, 2023.
Browne, S., Jones, J. (2016) In the Shadow of the State, Arts Council Ireland https://www.artscouncil.ie/Art-2016/In-the-Shadow-of-the-State/
Butler, J. (2018). Notes toward a performative theory of assembly. Cambridge, Massachusetts: Harvard University Press.
Campbell, E., O’Connor, L., Cargnelli, A., Púcaí, Partition and Placards: socially engaged art and political entropy in Northern Ireland ch. in BEYOND BORDERS: NORTHERN IRELAND AT 100 ed Bell, D and O'Dowd, L.
Bishop, C. (2012) Artificial hells: participatory art and the politics of spectatorship. London; New York: Verso
Fischer, C. (2020) Feminists redraw public and private spheres: abortion, vulnerability, and the affective campaign to repeal the eighth amendment. Signs: Journal of Women in Culture and Society, 45 (4), 985-1010.
Fletcher, R. (2020). Cheeky Witnessing. Feminist Review, 124(1), pp.124–141. doi:https://doi.org/10.1177/0141778919896342.
Submission deadline
Friday 27 February 2026
04:00PM
Interview Date
25, 27 + 31 March 2026
Preferred student start date
1 June 2026
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