English - BA (Hons)

2024/25 Part-time Undergraduate course


Bachelor of Arts with Honours


Faculty of Arts, Humanities and Social Sciences


School of Arts and Humanities


Coleraine campus

Start date:

September 2024


A part-time BA in English that allows you flexibilty as well as fun, developing writing skills, communication and creative thinking.


Our part time degree allows you to achive the BA in English at a pace that suits you, in a way that can be flexible around your other committments. We provide the opportunity for you to follow your own interests through a wide range of optional modules. Two thirds of the course is made up these: you can, for example, take strands on creative and professional writing, women’s writing and gender studies, and American literature; or select from modules on detective fiction, modern drama, love poetry or film adaptation, to name just a few. In your final year, you will – guided by a member of the teaching team – write a dissertation on a topic of your own choice. This combination of one-third core study and two-thirds specialist optional modules will allow you to develop your own areas of expertise whilst still attaining an essential grounding in the history of English literature.

We’d love to hear from you!

We know that choosing to study at university is a big decision, and you may not always be able to find the information you need online.

Please contact Ulster University with any queries or questions you might have about:

  • Course specific information
  • Fees and Finance
  • Admissions

For any queries regarding getting help with your application, please select Admissions in the drop down below.

For queries related to course content, including modules and placements, please select Course specific information.

We look forward to hearing from you.

About this course


As our exceptional 100% NSS satisfaction rating indicates, you will love studying English with us at Ulster! The part-time degree lets you take one or two modules a semester instead of three, and so you will move through the BA (Hons) at your own pace. We will introduce you to the basics of critical writing and literary theory in year one, allowing you to develop the skills and knowledge necessary for success in your later work. Following this introductory year, you will be able to choose from a range of options reflecting the interests and expertise of the UU English teaching team. We very much enjoy sharing our enthusiasms, and try to make our lectures fun! Even more importantly, we want you to develop your own interests and follow your own passions. UU English allows you to construct your own path to success, writing on whatever engages you most, whether that be Shakespeare, Detective fiction, or 'Game of Thrones'. Having had many opportunities to share ideas with like-minded friends and sympathetic teachers, UU English students graduate as creative, free-thinking communicators; they often go on to do great things! Join us and free your imagination.

More detail is available from the Course Director, Dr Kate Byrne – please feel free to email k.byrne@ulster.ac.uk



Start dates

  • September 2024

Teaching, Learning and Assessment

Teaching is mostly based on regular lectures (various sizes) and seminars (up to 15 students), although other methods - such as workshops, individual and small group tutorials, for example - are also common. Lectures allow the teacher to introduce a subject and flag up significant issues; seminars provide the student with the opportunity to ask questions and share their insights.

There are several methods of assessment, although the most common are the coursework essay (of varying lengths, depending on year) and the examination (two hours long in years one and two, three hours in the final year). Most modules combine these two; some also include an element of assessed seminar participation. You will need to pass all modules in order to progress - the pass mark is 40% - and your degree mark will be calculated through averaging all of your final year marks.

Attendance and Independent Study

The content for each course is summarised on the relevant course page, along with an overview of the modules that make up the course.

Each course is approved by the University and meets the expectations of:

  • Attendance and Independent Study

    As part of your course induction, you will be provided with details of the organisation and management of the course, including attendance and assessment requirements - usually in the form of a timetable. For full-time courses, the precise timetable for each semester is not confirmed until close to the start date and may be subject to some change in the early weeks as all courses settle into their planned patterns. For part-time courses which require attendance on particular days and times, an expectation of the days and periods of attendance will be included in the letter of offer. A course handbook is also made available.

    Courses comprise modules for which the notional effort involved is indicated by its credit rating. Each credit point represents 10 hours of student effort. Undergraduate courses typically contain 10, 20, or 40 credit modules (more usually 20) and postgraduate courses typically 15 or 30 credit modules.

    The normal study load expectation for an undergraduate full-time course of study in the standard academic year is 120 credit points. This amounts to around 36-42 hours of expected teaching and learning per week, inclusive of attendance requirements for lectures, seminars, tutorials, practical work, fieldwork or other scheduled classes, private study, and assessment. Teaching and learning activities will be in-person and/or online depending on the nature of the course. Part-time study load is the same as full-time pro-rata, with each credit point representing 10 hours of student effort.

    Postgraduate Master’s courses typically comprise 180 credits, taken in three semesters when studied full-time. A Postgraduate Certificate (PGCert) comprises 60 credits and can usually be completed on a part-time basis in one year. A 120-credit Postgraduate Diploma (PGDip) can usually be completed on a part-time basis in two years.

    Class contact times vary by course and type of module. Typically, for a module predominantly delivered through lectures you can expect at least 3 contact hours per week (lectures/seminars/tutorials). Laboratory classes often require a greater intensity of attendance in blocks. Some modules may combine lecture and laboratory. The precise model will depend on the course you apply for and may be subject to change from year to year for quality or enhancement reasons. Prospective students will be consulted about any significant changes.

  • Assessment

    Assessment methods vary and are defined explicitly in each module. Assessment can be a combination of examination and coursework but may also be only one of these methods. Assessment is designed to assess your achievement of the module’s stated learning outcomes.  You can expect to receive timely feedback on all coursework assessments. This feedback may be issued individually and/or issued to the group and you will be encouraged to act on this feedback for your own development.

    Coursework can take many forms, for example: essay, report, seminar paper, test, presentation, dissertation, design, artefacts, portfolio, journal, group work. The precise form and combination of assessment will depend on the course you apply for and the module. Details will be made available in advance through induction, the course handbook, the module specification, the assessment timetable and the assessment brief. The details are subject to change from year to year for quality or enhancement reasons. You will be consulted about any significant changes.

    Normally, a module will have 4 learning outcomes, and no more than 2 items of assessment. An item of assessment can comprise more than one task. The notional workload and the equivalence across types of assessment is standardised. The module pass mark for undergraduate courses is 40%. The module pass mark for postgraduate courses is 50%.

  • Calculation of the Final Award

    The class of Honours awarded in Bachelor’s degrees is usually determined by calculation of an aggregate mark based on performance across the modules at Levels 5 and 6, (which correspond to the second and third year of full-time attendance).

    Level 6 modules contribute 70% of the aggregate mark and Level 5 contributes 30% to the calculation of the class of the award. Classification of integrated Master’s degrees with Honours include a Level 7 component. The calculation in this case is: 50% Level 7, 30% Level 6, 20% Level 5. At least half the Level 5 modules must be studied at the University for Level 5 to be included in the calculation of the class.

    All other qualifications have an overall grade determined by results in modules from the final level of study.

    In Masters degrees of more than 200 credit points the final 120 points usually determine the overall grading.

    Figures from the academic year 2022-2023.

Academic profile

All our staff are research active, international experts in their field.

The University employs over 1,000 suitably qualified and experienced academic staff - 60% have PhDs in their subject field and many have professional body recognition.

Courses are taught by staff who are Professors (19%), Readers, Senior Lecturers (22%) or Lecturers (57%).

We require most academic staff to be qualified to teach in higher education: 82% hold either Postgraduate Certificates in Higher Education Practice or higher. Most academic and learning support staff (85%) are recognised as fellows of the Higher Education Academy (HEA) by Advance HE - the university sector professional body for teaching and learning. Many academic and technical staff hold other professional body designations related to their subject or scholarly practice.

The profiles of many academic staff can be found on the University’s departmental websites and give a detailed insight into the range of staffing and expertise.  The precise staffing for a course will depend on the department(s) involved and the availability and management of staff.  This is subject to change annually and is confirmed in the timetable issued at the start of the course.

Occasionally, teaching may be supplemented by suitably qualified part-time staff (usually qualified researchers) and specialist guest lecturers. In these cases, all staff are inducted, mostly through our staff development programme ‘First Steps to Teaching’. In some cases, usually for provision in one of our out-centres, Recognised University Teachers are involved, supported by the University in suitable professional development for teaching.

Figures from the academic year 2022-2023.

Coleraine campus


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Here is a guide to the subjects studied on this course.

Courses are continually reviewed to take advantage of new teaching approaches and developments in research, industry and the professions. Please be aware that modules may change for your year of entry. The exact modules available and their order may vary depending on course updates, staff availability, timetabling and student demand. Please contact the course team for the most up to date module list.

Year one

University English Literature: An Introduction

Year: 1

This module offers students a basic introductory guide to literary criticism and interpretation, focusing upon the ways in which the formal structures of poetry, fiction and drama contribute to a diversity of effects and levels of meaning.

Theory and Other Monsters

Year: 1

The module offers an introduction to the practice of reading and criticism. It aims to enable students to work with a variety of critical approaches, and to develop an informed awareness of the analytical possibilities available to them as readers and critics.

Writing Matters

Year: 1

The module introduces students to various shorter literary genres (literary essay, short story, poem, autobiography / memoir, detective story, science writing, book review and other forms of journalism), exploring questions of genre and examining key themes and issues that have 'mattered' to writers and that have made writing 'matter' from the Renaissance to the present. Students will gain insight into various literary eras, writers, their work, and its contexts; and will further develop their own study, communication, and employability skills.

Year two

Professional and Creative Writing: An Introduction

Year: 2

On this module, students actively engage in diverse genres of writing, developing and reflecting on their writing and reading experience in particular genres and for particular audiences, including employers. Reading and critical analysis of sample texts and of texts about each genre are essential elements of the module.

Irish Literature and Society: An Introduction

Year: 2

An introduction to some of the key texts and themes of the Irish literary tradition, this module places the texts in their social, historical, and political contexts. Reading a selection of fiction, poetry and drama, students will explore issues such as gender and the nation, rebellion and violence, folklore and the heritage industry, religion and the gothic, language, and identity. Beginning with the Act of Union in 1800, this module will investigate the ways that writers have responded to, and helped to create, modern Irish identity.

Pandemic Prose in the Viral Village

Year: 2

In the late 1990s, post-apocalyptic fiction, and, in the 21st century, climate fiction or 'cli-fi' have been some of the bestselling literary genres. This module explores how such works address current environmental concerns and allow readers to reflect on the impact of climate change and the pandemic, and to speculate on ways to deal with future problems and the toll they will take on people both socially and psychologically.

Detective Fiction

Year: 2

This module is optional

This module will cover a range of some of the best-known examples of detective and crime fiction, in print and on screen, from the C19th to the present, exploring the genre's social and political importance, and the reasons for its universal popularity.

Year three

Early Modern English Culture 1509-1659: Poetry, Prose, Drama

Year: 3

The module introduces students to the culture of Renaissance England. Canonical and non-canonical poetry, prose, and drama as well as artefacts (such as paintings, jewelry, coins, seals, architecture, and clothing) will be studied within a framework of instruction on the sweeping changes brought to England by sectarian tension, increased literacy, nationalism, changing politics, women's complex roles, technical innovation, increased power for the monarchy, expanding commercial enterprise and a major expansion of literary and cultural creativity.

Eighteenth-Century Literature

Year: 3

This module provides an introduction to literature from 1660 to 1780 (the 'long eighteenth century'). It helps develop knowledge of relevant contexts including marriage, sickness and health, 'race' and slavery, and encourages you to apply this knowledge critically in class and assessments. It assists in reflection on, and assessment of, skills for post-degree employment.

Tales of the Familiar and the Exotic: The Beginnings of Modern Fiction in English

Year: 3

This module is optional

The module is designed to introduce students to the history of the development of early fiction in English, from the early adventure narratives of the Elizabethan era to the emergence of the novel as a leading literary genre in the mid-eighteenth century. It will acquaint students with a range of thematic and formal sub-genres of fiction, ranging from tales of adventure to the philosophical romance, from religious allegory to the oriental tale, and from the picaresque to the epistolary.

Rhymes Of Passion: A Brief History Of Love Poetry

Year: 3

This module is optional

This module tells the story of love poetry. Having first asked the question 'What is love?', we will look at significant periods, writers, attitudes, and innovations, starting with love poetry's deepest roots in ancient verse (including Egyptian, Greek, and Roman), and ending with recent Western writers (such as Seamus Heaney and Carol Ann Duffy). The main aim of the module is to help you appreciate both enduring themes and changes in the way love has been understood and has expressed itself over time. Warning: it's not all hearts and flowers!

Modern Drama and Its Influences

Year: 3

This module is optional

The module accounts for a diverse range of dramatic genres, staging techniques, and thematic preoccupations inherent to the work of twentieth-century heterosexual, feminist, gay, lesbian, White, Jewish, and Black British and American playwrights. On this module, their work is to be analyzed and critiqued in the context of their theatrical and thematic responses to influential ancient, early modern, and nineteenth-century playwrights and in the context of changing twentieth-century values.

Sex and the City of God: religion and sexuality in American literature

Year: 3

This module is optional

This module examines the intersection of religion and sexuality in American literature, with a view to exploring issues of religious discourse, theories of metaphor, the language of desire and constructions of gender. The module explores the Puritan foundations of America, and the long shadow it casts over American culture. As well as literary fiction, the module explores texts from popular culture, as well as sermons, diaries, and other non-fiction prose.

Year four

Writing and Editing

Year: 4

This module is optional

This practice-based module aims to advance the writing and editing knowledge and skills of students through lectures and workshops focusing on diverse genres of writing. Students are introduced to methods and techniques in the writing and editing processes. Instruction is given in the collaborative teamwork of writers and editors, with students adopting both roles during the course of the module. Formative assessment ensures that all students get a chance to edit and improve their own work (and some of each other's work) before final submission.

Angels, Madwomen and Whores

Year: 4

This module is optional

This module enables students to engage with a wide range of writing by women from the 1790s to the end of the nineteenth century. By examining both poetry and prose, this module will uncover self-determined literary representation of female experience throughout the modern period, allowing students to engage with the central issues of gender and identity which affect women's writing.

Writing the North: Ulster Literature

Year: 4

This module is optional

The module introduces students to literary writing from Ulster to representations of, and imaginative responses to, the north of Ireland, and to the central debates surrounding these representations and responses.

Contemporary World Fiction in English

Year: 4

This module is optional

The module introduces students to a range of texts from areas of the world that have been oft ignored in academic studies for various geo-political reasons. The role that fiction plays in helping nations construct a sense of identity and community is a key focus of the module.

How It Is: Samuel Beckett Studies

Year: 4

This module is optional

This module celebrates Samuel Beckett the man and artist, whose innovations in theme and form pushed the boundaries of literature, redefined the medium of theatre, and made him one of the most influential writers of the twentieth century. We will explore Beckett's work chronologically from the early fiction to the late drama, examining its impact alongside historical, cultural, and philosophical influences; we will consider Beckett's depiction of the human condition and will chart his gravitation towards minimalism.

Adaptation and Historical Fiction

Year: 4

This module is optional

This module is about the relationship between verbal and visual media (adaptation) and the portrayal of the past in fiction, film, and television (historical fiction). The module is designed to make you think critically about the relationship between literature and visual media; how they shape our understanding of the past through historical fiction; how adaptation and historical fiction give a voice to marginalized/underrepresented people.

Gothic and Romantic Writing

Year: 4

This module is optional

This module surveys writing associated with Gothic and Romantic discourses, focusing on the rise of the Gothic novel at the end of the C18th, Gothic imagery in Romantic writing, late-Victorian versions of the Gothic, the concept of decadence both before and during the fin de siècle, and the rise of psychoanalytical models at the end of the C19th.

Writing and Publishing

Year: 4

This module is optional

Students on this module learn about the functions, and apply some of the methods, of professionals in the publishing process (by undertaking tasks associated with writers, literary agents, editors, etc.). They workshop their own and each other's writing, and they gain experience in the editing and publishing processes

Year five

Nineteenth Century Literature

Year: 5

The module is designed to introduce students to the history of nineteenth-century English literature. It will trace, through the study of a selection of representative works of the period's poetry and prose, the rise and development of Romanticism and its continuation - and gradual transformation - in the writings of the Victorian era.

Twentieth-Century Literature

Year: 5

The module offers a broad survey of English literature written during the twentieth century. It will describe, through analysis of significant works by celebrated and representative writers, some of the major aesthetic and cultural developments and thematic preoccupations of modern literature in English, paying particular attention to stylistic and attitudinal changes throughout the century, from late-Romantic melancholy to a post-modern appreciation of multicultural diversity.

English Placement

Year: 5

This module is optional

This module provides students with the opportunity to experience life as a professional in the creative and cultural industries as a paid employee of a company. They will gain experience and expertise in the field of their future profession and extend and enhance their skills, capabilities, and practice.

How to be Modern: Writing from the Jazz Age, 1910-1930

Year: 5

This module is optional

The urge to be modern was a defining characteristic of a group of creative artists christened the 'Lost Generation'. Born towards the end of the 1800s and reaching maturity around the time of the First World War, these groundbreaking writers modernized English literature (and themselves) through the 1910s and 1920s. Looking at both poetry and fiction, we will explore the breaking of sexual taboos, the impact of psychoanalysis, the trauma of the Great War, the rise of the New Woman, the Harlem Renaissance and avant-garde aesthetics (including free verse, streams of consciousness and unreliable narrators). In all cases we will seek to appreciate how these dynamic authors challenged stale cultural norms left over from the previous century.

Bonnets, Beards and Bastards: The Fiction of the Victorian Period

Year: 5

This module is optional

The module is designed to introduce students to the thematic and formal diversity of Victorian fiction, as illustrated through the works of the leading novelists of the period. The key themes studied will include, among others, the social problems of Victorian Britain, 'the woman question', the role of religion in society, and the operation of the literary market; in aesthetic terms, the novels on the module will exemplify a range of formats and story-telling conventions, from the psychological novel to the sensation novel, from realism to symbolism, and from comedy of manners to naturalism.

Twentieth-Century American Literature

Year: 5

This module is optional

Examining the history of twentieth-century American literature in its social, cultural, and political context, this module involves close literary study of selected texts by some of the most representative American writers of the period, and discussion of broader issues such as the American Dream and the relationship between the American and English literary traditions. The module links with ENG511 Nineteenth-century American Literature (Year Three, semester 1), with other modules in English and European literature, and related modules in American History.

The Ulster-Scots Literary Tradition 1750 - 2000

Year: 5

This module is optional

The module introduces students to the history of Ulster-Scots literature from the middle of the eighteenth to the beginning of the twenty-first century. It will trace the relationship of Ulster writing to Scottish and Irish cultural, literary, political, philosophical, and linguistic influences in this period. The module will investigate the development, revivals, and transformations of Ulster-Scots literature through an examination of its most representative and important authors.

Black Lives Recovered and Remade

Year: 5

This module is optional

This module traces the historic presence of people of colour in literature and visual culture. It covers the lives of historical individuals as well as fictional recreations or imaginings. Content covered includes historical fiction, government reports, life writing, cinema, and television. It offers a range of perspectives on race, racism, and their legacies.

The ‘Impact of Translation’ in Modern Irish and British Literature

Year: 5

This module is optional

This module focusses on English-language translations of major works from European languages including Irish and Medieval English. No second language is required, as the texts are studied in translation. The translations are the work of leading authors, including Helen Waddell, Seamus Heaney, Doireann Ní Ghríofa, and Simon Armitage. The module explores the translators' motivations and methods, the context and reception of their translation work, the role of translation in each writer's oeuvre, and relevant questions and issues in Translation Studies.

Year six


Year: 6

This module offers students an opportunity to design, plan, prepare, write up, and present a dissertation of 6000 words on a topic of their own choice and researched under the guidance of a suitably qualified member of staff.

Nineteenth-Century American Literature

Year: 6

This module is optional

An introduction to some of the key texts and themes of nineteenth-century American literature, this module places texts in their social, historical, and political contexts. Reading a selection of fiction, poetry, and autobiography, we will explore issues such as the possibilities and limits of a 'new world', race and exclusion, gender and sentiment, nature and technology. This module will examine the invention of a unique American voice in writing of the period.

Body, Mind and Soul in Novels and Non-Fiction from Addison to Austen

Year: 6

This module is optional

A survey of ideas about the human body, mind and soul in texts ranging chronologically from Joseph Addison and Richard Steele's Spectator (1711) to Jane Austen's Mansfield Park (1814). It investigates the links between literature and medicine, psychology and philosophy, and will be of interest to students who want to explore how literature engages with issues such as belief, education, pain, pleasure, sexuality and disease.

From The Vote To The Pill: C20th And C21st Women's Writing

Year: 6

This module is optional

This module will enable students to engage with a variety of writing, in different genres, by women writers of the modern and the postmodern period, and will develop their understanding of the ways in which new political, social and sexual freedoms impacted upon women in the last century and beyond.

Writing Ireland: Ulysses to Normal People

Year: 6

This module is optional

This module celebrates some of the most influential Irish writers of the twentieth and twenty-first centuries. Through an examination of poetry, drama, and prose, we will explore works that have been deemed classics, future classics, and revolutionary. From Ulysses to Normal People, we will examine the impact and prominent characteristics of key texts, exploring how they have responded to the changing state of Ireland.


Year: 6

This module is optional

The module delivers advanced tuition on the works of Shakespeare. Every genre of Shakespearean drama is studied in detail: from Comedy to Tragedy, from Roman Play to Romance. Diverse appropriations of Shakespeare are addressed too - a political play, a bourgeois film, a diverting television sitcom. Shakespearean plays mean different things to different people in different places but, ultimately, sound knowledge of the primary texts, their genres and contexts must be established.

Narratives of Slavery

Year: 6

This module is optional

This module invites students to explore a diverse range of literary texts and other media through which the history and legacy of the Atlantic slave trade has been represented.

Standard entry conditions

We recognise a range of qualifications for admission to our courses. In addition to the specific entry conditions for this course you must also meet the University’s General Entrance Requirements.

A level

Grades CCC.

Applicants may satisfy the requirement for the final A level grade C by substituting a combination of alternative qualifications to the same standard as defined by the University.

Preference may be given to candidates with an A level Grade C or higher in English Literature.

Applied General Qualifications

*** To note that only qualifications defined as “Applied General” will be accepted for entry onto any undergraduate course at Ulster University.***

BTEC Awards

QCF Pearson BTEC Level 3 Extended Diploma/ OCR Cambridge Technical Level 3 Extended Diploma (2012 Suite)

Award profile of DMM

RQF Pearson BTEC Level 3 National Extended Diploma/ OCR Cambridge Technical Level 3 Extended Diploma (2016 Suite)

Award profile of MMM

QCF Pearson BTEC Level 3 Diploma/ OCR Cambridge Technical Level 3 Diploma(2012 Suite)

Award profile of Distinction Merit plus A Level Grade C or award profile of Distinction Merit plus A Level Grade C

RQF Pearson BTEC Level 3 National Diploma/ OCR Cambridge Technical Level 3 Diploma (2016 Suite)

Award profile of Merit Merit plus A Level Grade C

QCF Pearson BTEC Level 3 Subsidiary Diploma / OCR Cambridge Technical Level 3 Introductory Diploma (2012 Suite)

Award profile of Merit plus A Level Grades CC

RQF Pearson BTEC Level 3 National Extended Certificate/ OCR Cambridge Technical Level 3 Extended Certificate (2016 Suite)

Award profile of Merit plus A Level Grades CC

Diploma, National Diploma and Subsidiary Diploma applicants may satisfy the requirement for an element of the offer grade profiles (equating to the final A-level grade stated in the standard 3A level offer profile - Grade C) by substituting a combination of alternative qualifications to the same standard as defined by the University.

Irish Leaving Certificate

96 UCAS tariff points to include a minimum of five subjects (four of which must be at higher level) to include English at H6 if studied at Higher level or O4 if studied at Ordinary Level.

Preference may be given to candidates with a H4 at higher level in English.

Irish Leaving Certificate UCAS Equivalency

Scottish Highers

The Scottish Highers requirement for this course is grades


Preference may be given to candidates with Grade C in English

Applicants may satisfy the requirement for an element of the offer grade profiles (equating to the final A-level grade stated in the standard 3A level offer profile - Grade C) by substituting a combination of alternative qualifications to the same standard as defined by the University.

Scottish Advanced Highers

The Scottish Advanced Highers requirement for this course is grades


Preference may be given to candidates with Grade D in English

Applicants may satisfy the requirement for an element of the offer grade profiles (equating to the final A-level grade stated in the standard 3A level offer profile - Grade C) by substituting a combination of alternative qualifications to the same standard as defined by the University.

International Baccalaureate

Overall International Baccalaureate profile minimum of 24 points to include 12 at higher level.

Access to Higher Education (HE)

Overall profile of 55% (120 credit Access Course) (NI Access course)

Overall profile of 45 credits at Merit (60 credit Access course) (GB Access course)


For full-time study, you must satisfy the General Entrance Requirements for admission to a first degree course and hold a GCSE pass at Grade C/4 or above English Language.

Level 2 Certificate in Essential Skills - Communication will be accepted as equivalent to GCSE English.

English Language Requirements

English language requirements for international applicants
The minimum requirement for this course is Academic IELTS 6.0 with no band score less than 5.5. Trinity ISE: Pass at level III also meets this requirement for Tier 4 visa purposes.

Ulster recognises a number of other English language tests and comparable IELTS equivalent scores.

Additional Entry Requirements

HND - Overall Merit with distinctions in 15 Level 5 credits entry to Year 1

HNC – Overall Merit with distinctions in 45 Level 4 credits for entry to Year 1.

You may also meet the course entry requirements with combinations of different qualifications to the same standard as recognised by the University (provided subject requirements as noted above are met).

Foundation Degree- an overall mark of 40% in Level 5 modules for Year 1 entry.

APEL (Accreditation of Prior Experiential Learning)

The University will consider applications on the basis of experiential learning for those who do not hold the normal entry qualifications.

Transfer from degree level study at other institutions

Those applicants seeking entry with advanced standing, (eg. Transfer from another institution or year 2 entry) will be considered on an individual basis.

Exemptions and transferability

Studies pursued and examinations passed in respect of other qualifications awarded by the University or by another university or other educational institution, or evidence from the accreditation of prior experiential learning, may be accepted as exempting candidates from part of an approved programme provided that they shall register as students of the University for modules amounting to at least the final third of the credit value of the award at the highest level.

Careers & opportunities

Career options

Students completing the BA Hons English course are equipped with the kind of intellectual and communicative skills that employers of all kinds require. Common career destinations include publishing, journalism and the media, business, the creative arts, arts administration, and civil service. Successful students can go on to undertake postgraduate work in all areas of English literary studies. Numerous graduates embark on Postgraduate Certificate in Education (PGCE) programmes with a view to pursuing a career in teaching.

For information on postgraduate research opportunities see: www.arts.ulster.ac.uk/rgs

The Employability and Graduate Futures is available to offer friendly and impartial help and advice with career planning and provide opportunities for you to develop your employability skills.

Work placement / study abroad

There is a flexible placement element in the first year of your degree, encouraging you to develop your skills as a writer in the context of a relevant workplace. Opportunities for study abroad, usually during the second year of your degree, are also available: ISEP (International Student Exchange Programme) offers links with over 140 American Universities; Erasmus+ focuses on European destinations.


Start dates

  • September 2024

Fees and funding

Module Pricing

The price of your overall programme will be determined by the number of credit points that you initiate in the relevant academic year.

For modules commenced in the academic year 2024/25, the following fees apply:

Credit Points NI/ROI  Cost GB Cost International Cost*

NB: A standard full-time undergraduate degree is equivalent to 120 credit points per year.

*Please note our on campus part-time undergraduate courses are not open to international (non-EU) students.

Scholarships, awards and prizes

For scholarship schemes available to students at Ulster University, see https://www.ulster.ac.uk/scholarships

For a list of awards and prizes that English students can win during their time at UU, visit Discover Scholarships at Ulster Universitypage.

Additional mandatory costs

There are none.

It is important to remember that costs associated with accommodation, travel (including car parking charges) and normal living will need to be covered in addition to tuition fees.

Where a course has additional mandatory expenses (in addition to tuition fees) we make every effort to highlight them above. We aim to provide students with the learning materials needed to support their studies. Our libraries are a valuable resource with an extensive collection of books and journals, as well as first-class facilities and IT equipment. Computer suites and free Wi-Fi are also available on each of the campuses.

There are additional fees for graduation ceremonies, examination resits and library fines.

Students choosing a period of paid work placement or study abroad as a part of their course should be aware that there may be additional travel and living costs, as well as tuition fees.

See the tuition fees on our student guide for most up to date costs.


We’d love to hear from you!

We know that choosing to study at university is a big decision, and you may not always be able to find the information you need online.

Please contact Ulster University with any queries or questions you might have about:

  • Course specific information
  • Fees and Finance
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'Climbing the right hill': choosing English at the Ulster University - Kendra Reynolds (Final Year)

Uncertain, anxious, alone, inadequate: any of these sound familiar? Certainly this blend of emotions overwhelmed me when I stood at the bottom of some daunting looking steps, staring at the rather majestic crest hanging above the front entrance to Ulster University at Coleraine. Nobody in my family went to university before me. I did not go to a grammar school. I was not one of those people who passed colossal amounts of A-levels. And I felt when I first faced those steps that I was not capable of getting the high marks that you read about in the newspaper.

On induction day a comment from my sixth form teacher was still ringing in my ear - 'You'll be in a class of hundreds, just a number' - but instead of an impersonal lecturer I was greeted by a happy face and a pleasant tone and instantly felt at ease. As a painfully shy person who rarely spoke out in class at school, I feared that the small group discussions would present a major obstacle. So it was a big shock when I heard my own voice answer a question posed in one of my first seminars! This was made possible by the English lecturers in this university, who are its greatest asset. Extremely talented and enthusiastic in their fields, their humanity and down-to-earth personalities came as a huge surprise. They spare time for every student and enhance the enjoyment and richness of our learning. Instead of being intimidated I've been made to feel like my ideas are valued; it was lovely to hear one lecturer announce that he appreciated our ideas and was looking forward to reading our essays. I was given the option to try out any subject from the Faculty of Arts in my first year, and if it did not suit, to switch to another. This flexibility turned out to be characteristic of the rest of my degree. With only one compulsory module per semester, English offers a wide range of options from which to choose, allowing you to shape your own education and encouraging individual thinking and learning. This is no conveyer belt which churns out a set package of knowledge; the teachers value and reward personal interests and original ideas.

Essay-writing is aided by the excellent range of services that the University's new library offers. Whether you're studying in groups or looking for peaceful solitude, the library caters for all needs: in the busy hub of a twenty-four hour computer facility, a soft-seated area and group rooms for interactive study, or individual rooms for those who need the quiet atmosphere that not even our homes can always provide.

I never saw myself as the kind of person who would be eager to stay on in education, but I'm now aiming to get into postgraduate study, and not in any other university, but right here because the support that I have been given has helped to instil in me such confidence and self-belief. In Shakespeare's words, 'We know what we are, but know not what we may be'. The lecturers have shown me that you don't have to be an Einstein to succeed. All you need is the enthusiasm and willingness to make the most out of your experience.

Little did I know that those daunting looking steps would reflect the ladder of achievement that I would climb in the next few years. Leaving school can seem like being pushed out of a comforting nest and being expected to fly before you feel like you can even walk, yet after taking those first tentative steps I've never looked back. It reminds me of a quote I have seen somewhere that asked, 'Are you climbing the right hill today?' At Ulster University, I know that I am.