An interdisciplinary taught programme that combines performance practice with imaginative and rigorous critical engagement.
This innovative postgraduate programme combines contemporary performance practice with rigorous, creative thinking. Students explore examples of contemporary performance in an atmosphere of imaginative scholarly inquiry. Students make performances that respond to research questions that emerge from their artistic and scholarly work.
In addition to the core modules, students engage with the professional landscape through seminars with visiting practitioners and through placements. While there is scope to develop a wide range of work, the department has particular specialisms in Acting Theory and Practice, Performance and Disability, and Performance and Conflict.
We know that choosing to study at university is a big decision, and you may not always be able to find the information you need online.
Please contact Ulster University with any queries or questions you might have about:
For any queries regarding getting help with your application, please select Admissions in the drop down below.
For queries related to course content, including modules and placements, please select Course specific information.
We look forward to hearing from you.
In this section
The design of the course incorporates knowledge and understanding of the subject with subject-specific, intellectual, practical and transferable skills. The course structure is designed to equip students with an integrated, interdisciplinary perspective on the nature and scope of contemporary performance practice within the creative industries, and the skills necessary to put that perspective into practice.
With this in mind, the course is designed to provide students with appropriate progression in terms of depth of study and to offer them an equitable range and balance of core and option courses in each semester of their degree.
This includes developing expertise in research methodologies, in contemporary performance theory and practice, and in work-based skills for consultancy in the creative industries.
Part-time: normally 6 semesters of study
This will normally be timetabled as one contact day per week, with an expectation that students will work individually and in collaboration in the preparation of work on the campus or other suitable venues and locations.
Teaching and learning methods include seminars, workshops, and short lectures. Students are expected to prepare work independently, and to show and/or discuss their work during the class time. There is an emphasis on small group work, and on exploring theoretical concepts through practice.
Assessments are varied and some elements are negotiated between students and tutors. Assessment methods include literature reviews, essays, live performance, oral examinations, and reflective essays or portfolios.
Final projects may be practice-based or written.
The content for each course is summarised on the relevant course page, along with an overview of the modules that make up the course.
Each course is approved by the University and meets the expectations of:
As part of your course induction, you will be provided with details of the organisation and management of the course, including attendance and assessment requirements - usually in the form of a timetable. For full-time courses, the precise timetable for each semester is not confirmed until close to the start date and may be subject to some change in the early weeks as all courses settle into their planned patterns. For part-time courses which require attendance on particular days and times, an expectation of the days and periods of attendance will be included in the letter of offer. A course handbook is also made available.
Courses comprise modules for which the notional effort involved is indicated by its credit rating. Each credit point represents 10 hours of student effort. Undergraduate courses typically contain 10, 20, or 40 credit modules (more usually 20) and postgraduate courses typically 15 or 30 credit modules.
The normal study load expectation for an undergraduate full-time course of study in the standard academic year is 120 credit points. This amounts to around 36-42 hours of expected teaching and learning per week, inclusive of attendance requirements for lectures, seminars, tutorials, practical work, fieldwork or other scheduled classes, private study, and assessment. Teaching and learning activities will be in-person and/or online depending on the nature of the course. Part-time study load is the same as full-time pro-rata, with each credit point representing 10 hours of student effort.
Postgraduate Master’s courses typically comprise 180 credits, taken in three semesters when studied full-time. A Postgraduate Certificate (PGCert) comprises 60 credits and can usually be completed on a part-time basis in one year. A 120-credit Postgraduate Diploma (PGDip) can usually be completed on a part-time basis in two years.
Class contact times vary by course and type of module. Typically, for a module predominantly delivered through lectures you can expect at least 3 contact hours per week (lectures/seminars/tutorials). Laboratory classes often require a greater intensity of attendance in blocks. Some modules may combine lecture and laboratory. The precise model will depend on the course you apply for and may be subject to change from year to year for quality or enhancement reasons. Prospective students will be consulted about any significant changes.
Assessment methods vary and are defined explicitly in each module. Assessment can be a combination of examination and coursework but may also be only one of these methods. Assessment is designed to assess your achievement of the module’s stated learning outcomes. You can expect to receive timely feedback on all coursework assessments. This feedback may be issued individually and/or issued to the group and you will be encouraged to act on this feedback for your own development.
Coursework can take many forms, for example: essay, report, seminar paper, test, presentation, dissertation, design, artefacts, portfolio, journal, group work. The precise form and combination of assessment will depend on the course you apply for and the module. Details will be made available in advance through induction, the course handbook, the module specification, the assessment timetable and the assessment brief. The details are subject to change from year to year for quality or enhancement reasons. You will be consulted about any significant changes.
Normally, a module will have 4 learning outcomes, and no more than 2 items of assessment. An item of assessment can comprise more than one task. The notional workload and the equivalence across types of assessment is standardised. The module pass mark for undergraduate courses is 40%. The module pass mark for postgraduate courses is 50%.
The class of Honours awarded in Bachelor’s degrees is usually determined by calculation of an aggregate mark based on performance across the modules at Levels 5 and 6, (which correspond to the second and third year of full-time attendance).
Level 6 modules contribute 70% of the aggregate mark and Level 5 contributes 30% to the calculation of the class of the award. Classification of integrated Master’s degrees with Honours include a Level 7 component. The calculation in this case is: 50% Level 7, 30% Level 6, 20% Level 5. At least half the Level 5 modules must be studied at the University for Level 5 to be included in the calculation of the class.
All other qualifications have an overall grade determined by results in modules from the final level of study. In Master’s degrees of more than 200 credit points the final 120 points usually determine the overall grading.
Figures correct for academic year 2022-2023.
The teaching staff have international profiles in their specialist fields, from their published work and their creative practice.
These include acting theory and practice (Giuliano Campo); theatre for young audiences (Tom Maguire); Irish theatre, and feminist performance (Lisa Fitzpatrick), and theatre and disability (Jennifer Goddard). Fitzpatrick and Maguire serve on the AHRC peer review panels, and act as peer reviewers for journals and publishers in their disciplines. Fitzpatrick is Senior Editor of the 'Theatre Research International', the Cambridge-published journal of the International Federation for Theatre Research. Campo's study 'Acting the Essence: The Performer's Work on the Self' has been translated into numerous languages, and he has ongoing collaborations in Brazil and Japan. Maguire is the Chair of the Board of Big Telly Theatre Company and of the International Theatre for Young Audiences Network. Goddard has a number of ongoing collaborations with the University of the Atypical, Stage Beyond, and leading practitioners in the field of theatre and disability.
Visiting professionals from industry provide further specialist training and input in areas such as: ethics of intimacy and violence on stage; stage combat; queer performance; directing; intercultural performance; digital performance.
The University employs over 1,000 suitably qualified and experienced academic staff - 60% have PhDs in their subject field and many have professional body recognition.
Courses are taught by staff who are Professors (19%), Readers, Senior Lecturers (22%) or Lecturers (57%).
We require most academic staff to be qualified to teach in higher education: 82% hold either Postgraduate Certificates in Higher Education Practice or higher. Most academic and learning support staff (85%) are recognised as fellows of the Higher Education Academy (HEA) by Advance HE - the university sector professional body for teaching and learning. Many academic and technical staff hold other professional body designations related to their subject or scholarly practice.
The profiles of many academic staff can be found on the University’s departmental websites and give a detailed insight into the range of staffing and expertise. The precise staffing for a course will depend on the department(s) involved and the availability and management of staff. This is subject to change annually and is confirmed in the timetable issued at the start of the course.
Occasionally, teaching may be supplemented by suitably qualified part-time staff (usually qualified researchers) and specialist guest lecturers. In these cases, all staff are inducted, mostly through our staff development programme ‘First Steps to Teaching’. In some cases, usually for provision in one of our out-centres, Recognised University Teachers are involved, supported by the University in suitable professional development for teaching.
Figures correct for academic year 2022-2023.
Here is a guide to the subjects studied on this course.
Courses are continually reviewed to take advantage of new teaching approaches and developments in research, industry and the professions. Please be aware that modules may change for your year of entry. The exact modules available and their order may vary depending on course updates, staff availability, timetabling and student demand. Please contact the course team for the most up to date module list.
Year: 1
Status: C
This module provides students with a grounding in key issues in and approaches to contemporary performance practice, integrating theoretical concerns with practical exploration, organised around key questions. Assessment is 100% by coursework, through which students demonstrate their integration of practice and critical analysis.
Year: 1
Status: C
This module seeks to provide an opportunity for students to explore, both practically and critically, the key issues and performance practices associated with contemporary situated art. Students are encouraged to interrogate these theories and practices in both tutorial and workshop-based situations.
Year: 2
Status: C
This module enables students to develop sustainable research strategies to support their research work within the programme and beyond. It engages with key issues relevant to researching contemporary performance practice and explores the ways in which research is a vital tool for the creative practitioner.
Year: 2
Status: C
Professional placement offers students the opportunity to get hands-on experience of a host organisation within the creative industries. Acting as a creative consultant, the student will undertake a focused research role to address opportunities or challenges in the organisation's operation as a way of identifying potential solutions and innovative approaches.
Year: 2
Status: C
This module allows students to negotiate their own programme of study in pursuing a specific research question. Students may present their work as a dissertation, a practical performance or workshop, or undertake a work-based learning project.
Assessment: 100% coursework
We recognise a range of qualifications for admission to our courses. In addition to the specific entry conditions for this course you must also meet the University’s General Entrance Requirements.
In this section
Applicants must normally have gained a second class honours degree or better, and provide evidence of competence in written and spoken English (GCSE grade C or equivalent).
In exceptional circumstances, an individual who has substantial and significant experiential learning, and a portfolio of written evidence demonstrating the meeting of graduate qualities (including subject-specific outcomes, as determined by the Course Committee) may be considered as an alternative entrance route.
For more information, contact the Course Director.
English language requirements for international applicants
The minimum requirement for this course is Academic IELTS 6.0 with no band score less than 5.5. Trinity ISE: Pass at level III also meets this requirement for Tier 4 visa purposes.
Ulster recognises a number of other English language tests and comparable IELTS equivalent scores.
Studies pursued and examinations passed in respect of other qualifications awarded by the University or by another university or other educational institution, or evidence from the accreditation of prior experiential learning, may be accepted as exempting candidates from part of the programme provided that
(a) they shall register as students of the University for modules amounting to at least the final third of the credit value of the award at the highest level.
(b) no exemption shall be permitted from the Independent Project
In this section
Freelance creative work
Creative, technical and administrative roles within the creative industries
Further academic or practical study
Community-based education and/or creative work
Teaching
The module DRA705 includes both an exploration of the professional landscape, and a placement with a professional arts organisation.
The placement is negotiable in length but must include an element of consultancy: i.e., the student must have a specific set of responsibilities and a task to be completed. This might include surveys of audience base; development of marketing or social media presence; identification of funding sources; management of a time-limited project, or other.
The student will negotiate the placement with the module coordinator and the management of the arts organisation.
The price of your overall programme will be determined by the number of credit points that you initiate in the relevant academic year.
For modules commenced in the academic year 2024/25, the following fees apply:
| Credit Points | NI/ROI/GB Cost | International Cost* |
|---|---|---|
| 5 | £194.45 | £474.70 |
| 10 | £388.90 | £949.40 |
| 15 | £583.35 | £1,424.10 |
| 20 | £777.80 | £1,898.80 |
| 30 | £1,166.70 | £2,848.20 |
| 60 | £2,333.40 | £5,696.40 |
| 120 | £4,666.80 | £11,392.80 |
| 180 | £7000.20 | £17,089.20 |
NB: A standard full-time PGCert is equivalent to 60 credit points per year. A standard full-time PGDip is equivalent to 120 credit points per year.
*International student access to courses is subject to meeting visa requirements. More information can be found in the Visas and Immigration section.
Students may apply for university prizes such as, for example:
BPW NI Travelling Scholarship
Greer Garson Award for Theatre
Greer Garson Award for Film
John RE Scott Postgraduate Student of the Year Award
McCrea Literary Award
None
It is important to remember that costs associated with accommodation, travel (including car parking charges) and normal living will need to be covered in addition to tuition fees.
Where a course has additional mandatory expenses (in addition to tuition fees) we make every effort to highlight them above. We aim to provide students with the learning materials needed to support their studies. Our libraries are a valuable resource with an extensive collection of books and journals, as well as first-class facilities and IT equipment. Computer suites and free Wi-Fi are also available on each of the campuses.
There are additional fees for graduation ceremonies, examination resits and library fines.
Students choosing a period of paid work placement or study abroad as a part of their course should be aware that there may be additional travel and living costs, as well as tuition fees.
See the tuition fees on our student guide for most up to date costs.
We know that choosing to study at university is a big decision, and you may not always be able to find the information you need online.
Please contact Ulster University with any queries or questions you might have about:
For any queries regarding getting help with your application, please select Admissions in the drop down below.
For queries related to course content, including modules and placements, please select Course specific information.
We look forward to hearing from you.
The MA programme Ulster has been an extremely challenging and enriching experience. As a dance practitioner and choreographer, the programme design enables me to delve deep into my creative process to explore new avenues in contemporary practice, and through the support of the experienced academic staff it has also supported me to gain new skills and confidence as an academic researcher. (Eileen McClory)
